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What MOVIE(s) have you been....seeing? watching?
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Starting with Walter Goggins angry: "I guess someone reads too many newspapers printed in Washington DC" (that was 9 months before "fake news", etc.!) to its (again, in hindsight) prophetic ending.
This film feels so fucking modern and poignant, and there's so much in it about people seriously hating each other based on their general principles and world views, and being so focused and blinded by their hatred that they are unable to see the real dangers of their situation - that, as it usually happens, has nothing to do with any big ideas.
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Sevej wrote: Just got back from TLJ. It's good. A little bit slow in the 2nd quarter, bu the rest is amazing roller coaster ride with lots of surprises.
Hmm, I thought it was just OK, I mean its got some great action stuff in there but lots of stuff that is either stupid (I mean given the internal logic of what you're watching, making no sense) or just extraneous. As a result the film felt too long and bloated with unimportant stuff so then the really key moments actually didnt get enough time and felt rushed. I didnt feel like there were loads of amazing surprises, theres really only one moment that stands out, and I'm not sure they even pulled it off very well, it just felt way too rushed after that bit in terms of how that character developed again. Some of the scenes were cringeworthy bad in terms of not making any sense at all, I think thats a consquence of the big budget too much shit going on syndrome (like, the originals were limited in effects, locations, and characters, so the entire first movie was built around some small ships dodging through defenses to blow up a big death star, here, every single battle is bigger, and more mental than the death star battle but just feels cheap and stupid because all of a sudden it makes no sense.
so basically, all the interesting stuff, like the Rey-Kylo connection, Rey with Luke, Reys flirtation with the dark side, the confrontation with Snoke, the rapid switch back to Kylo being a bad guy, all of that gets a bit swamped by the stupid stuff that a) made no sense and b) was just pointless filler
oh and for gods sake they even included another 24 hour wow I just met you but now I love you so Ill just kill myself to stop you killing yourself, though you were about to blow up a deadly weapon, and now you didnt, and you dont have a ship but I guess you can just walk back to the base in time to escape or something. Also note to Finn, when flying towards a deadly beam weapon that melts your ship (shown), FLY OUT OF THE BEAM until the very last bit, and try NOT to fly into the beam instead, for some utterly bizarre reason.
Actually, in reflection, this film is full of fucking stupid, but yeah, it had some cool stuff in it so I guess it was OK. I feel like the "its full of surprises" angle is way overblown, and this film is in no way "as good as Empire Strikes back".
they could have made some great films if theyd focused on less characters, less locations, less extraneous stuff but maybe thats just big budget movies these days, or just lack of courage to make a film about one core idea instead of trying to link 87 different things and just forcing random stuff in there that just bloats and doesnt add anything. I'm happy to be in the minority, most people will probably love it. For me, the new sequels are "better than the prequels" but thats all I can say, and is hardly great praise.
oh, to be fair, its fantastic that Rey developed how she did, and it is great that they have a very charismatic female lead ready to take the story into the next episodes. I'm not one for political correctness and clumsy enforced diversity but I do think they did a great job making a universe with all kinds of races, genders and characters seamlessly together and with a strong and capable female lead without relying on her having to have a "love interest" in order to be justified
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Vlad wrote: Re-watched The Hateful Eight. Although I love Tarantino, I didn't care much about it when I saw it first, but that was 9 months before the elections, my idea of this country and what's going on through people's minds was very different back then. Now, I really appreciated Tarantino's vision of racial/cultural/gender divide.
Starting with Walter Goggins angry: "I guess someone reads too many newspapers printed in Washington DC" (that was 9 months before "fake news", etc.!) to its (again, in hindsight) prophetic ending.
This film feels so fucking modern and poignant, and there's so much in it about people seriously hating each other based on their general principles and world views, and being so focused and blinded by their hatred that they are unable to see the real dangers of their situation - that, as it usually happens, has nothing to do with any big ideas.
I was a big Tarantino fan, but the last time that I enjoyed one of his movies was Death Proof. The Hateful Eight was okay, but felt long and might have benefited from a 75% reduction in the use of the N-word. I read somewhere that it was Tarantino's version of John Carpenter's version of The Thing. But your analysis offers an interesting perspective, so now I have two reasons to re-watch it. Will need to find a block of time when my girlfriend isn't home.
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- hotseatgames
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Which isn't a fair thing to say, since you could say that about almost any other movie.
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Another thing that I really liked is the feeling of cold this movie transmits. I think it is the best blizzard movie I've seen, if that's worth something.
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I saw Three Billboards Outside Ebbing, Missouri a couple of days ago. It's really, really good. It's a fairly heavy drama with only a few touches of humor, but it is filled with interesting twists and turns. The best thing I can say about it is that it doesn't shy away from asking big questions about anger, guilt, forgiveness, revenge, and all the choices we make in our lives, little and big. Go see it.
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Gregarius wrote:
Warning: Spoiler!The movie has an open ending. I tend to like these if they're done appropriately and with purpose (as it is here). However, the two ladies behind me did not agree: "What!? That's no way to end a movie!" "No it ain't!"
They missed the whole point.
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- Erik Twice
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Life is that movie. It's an Alien clone in which the alien, instead of being dangerous, simply cannot be destroyed. They shoot at it with a flame-thrower pointblank and it doesn't die. It goes out of the spaceship and keeps breathing. And its luck never runs out. It sneaks in in the last second, always, no matter how ludicrous or dumb it would be for it to survive.
In other words, it's that "man falling down" film. There's no possible development other than the characters dying and no possible ending other than the alien killing all or most of them.
One of the reasons I didn't like Alien was that characters were made to hold the idiot ball in order to advance the plot. Here, there's no need for them to make mistakes, they never had a chance. Their actions never mattered.
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- hotseatgames
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Erik Twice wrote: One of the reasons I didn't like Alien was that characters were made to hold the idiot ball in order to advance the plot. Here, there's no need for them to make mistakes, they never had a chance. Their actions never mattered.
I think that you are forgetting that the crew of the Nostromo included an android who was specifically put on that ship to bring back an alien, and was very secretive about his mission. Ash lied about the signal and told the crew that it was a distress signal when it was actually a warning beacon. He also breached the quarantine to let the infected and exposed crew members back on board. He didn't program the auto-doc to save Kane, he used it to analyze and monitor the alien. And then he lied when he gave Kane a clean bill of health, leading to the spaghetti dinner incident. Aside from Ripley's suspicions, the crew was blindsided because they had no reason to think that one of their own would lie and betray them for the sake of an alien specimen.
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- Black Barney
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The reason LIFE sucked so bad is because there is no Lieutenant Ripley or ANYTHING close on board that space station. At one point some chick has the thing attached to her while doing a spacewalk. She could kick off the station and send them both into deep space or a nice warm re-entry. Either way, that's the end of the movie right there, a hero's death and crisis averted.
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